The OU Darwin collection: More than meets the eye

Originally posted at ouhos.org, the now-discontinued blog of the OU History of Science Collections. Neither this post nor any of its content should be taken as an official communication of the University of Oklahoma.


Darwin@the Library info | Exhibit brochure (pdf)

More than First Editions

To view all of Charles Darwin’s printed volumes in their first editions yields an unforgettable impression of the breadth and beauty of Darwin’s work. However, to support research, the Collections holds far more than just the first editions, for scholars need to see how editions of works were changed, and how translations differ. Darwinism in Germany was different than Darwinism in France or England or America, so hundreds of editions and translations have been collected. One unusual example is Darwin, Die Opshtamung fun Menschen (New York, 1926 [vol. title 1923]; The Descent of Man in Yiddish), F1139.

Darwin, Descent of Man, in Yiddish Darwin, Descent of Man, in Yiddish

Another is a Norwegian edition of Origin of Species (1890) which is not listed in the Freeman Bibliography.

Darwin, Origin of Species, in Norwegian Darwin, Origin of Species, in Norwegian Darwin, Origin of Species, in Norwegian

The Portrait collections include several depictions of Darwin, including a Darwin caricature from Vanity Fair magazine (Sept 30, 1871).

Also available in the History of Science Collections are the journals in which Darwin published his articles, the works of Darwin’s contemporaries and recent books about Darwin that support current scholarship in the history of science. With the resources of the Darwin Collection at your fingertips, the History of Science Collections of the University of Oklahoma Libraries offers an ideal place to read and study Charles Darwin.

More than Printed Works

Through making its holdings available both on-site and through various digital projects, the purpose of the History of Science Collections is to facilitate research in the University of Oklahoma Libraries and beyond.

Darwin letterThe Collections holds eight handwritten Darwin letters:

  1. To J. B. Jukes, 6 December, 1838. DCP-LETT-453.
  2. To J. B. Jukes, 25 December, 1838. DCP-LETT-461.
  3. To J. B. Jukes [18 October, 1846]. DCP-LETT-1010.
  4. To J. B. Jukes, 8 October [1847]. DCP-LETT-1125.
  5. To James Orton, 23 January [1869]. DCP-LETT-6570. 1869-Jan23
  6. To James Orton, 7 October [1869]. DCP-LETT-6925. 1869-Oct7
  7. To James Orton, 24 February [1870]. DCP-LETT-7116. 1870-Feb24
  8. To Robert Garner, 22 February [1864, 1870 or 1871]. DCP-LETT-7115F. Feb22

OU is a major contributor to Cambridge University’s Darwin Online. Having provided digital versions of nearly 40 obscure editions, the Collections’ contribution is second only to Cambridge itself.

Darwin@the Library info | Exhibit brochure (pdf)

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Darwin first editions

Originally posted at ouhos.org, the now-discontinued blog of the OU History of Science Collections. Neither this post nor any of its content should be taken as an official communication of the University of Oklahoma.


Darwin@the Library info | Exhibit brochure (pdf)

Charles Darwin’s 22 printed volumes are listed below in chronological order, linked to high resolution versions in the University of Oklahoma Libraries History of Science Collections’ Online Galleries:

  1. Darwin, Zoology of the Voyage of the Beagle, vol. 1 (F8.1), vol. 2 (F8.2), vol. 3 (F8.3) (1838-43). More info.
  2. Darwin, Journal of Researches (1839), F11.
  3. Darwin, The Structure and Distribution of Coral Reefs (1842), F271.
  4. Darwin, Geological Observations on the Volcanic Islands (1844), F272.
  5. Darwin, Geological Observations on South America (1846), F273.
  6. Darwin, Monograph on the Sub-Class Cirripedia: The Lepadidae; or, Pedunculated Cirripedes (1851), F339.1.
  7. Darwin, Monograph on the Sub-Class Cirripedia: The Balanidae (or Sessile Cirripedes); The Verrucidae, etc. (1854), F339.2.
  8. Darwin, On the Origin of Species by Means of Natural Selection (1859), F373.
  9. Darwin, On the Various Contrivances by which British and Foreign Orchids are Fertilised by Insects (1862), F800.
  10. Darwin, Variation of Animals and Plants under Domestication, 2 vols. (1868), vol. 1, F878.1 and vol. 2, F878.2.
  11. Darwin, Descent of Man, and Selection in relation to Sex, 2 vols. (1871), vol. 1, F937.1.; and vol. 2, F937.2.
  12. Darwin, Expression of the Emotions in Man and Animals (1872), F1142.
  13. Darwin, Insectivorous Plants (1875), F1218.
  14. Darwin, Movements and Habits of Climbing Plants (1875), F836.
  15. Darwin, Effects of Cross and Self-Fertilisation in the Vegetable Kingdom (1876), F1249.
  16. Darwin, Different Forms of Flowers on Plants of the Same Species (1877), F1277.
  17. Darwin, Power of Movement in Plants (1880), F1325.
  18. Darwin, Formation of Vegetable Mould, through the Action of Worms (1881), F1357.

Bibliographic note:
With the exception of the Zoology of the Voyage of H.M.S. Beagle, all Darwin first editions were published in London by John Murray. An exact description for each title can be found using the indicated Freeman number (F#), which refers to its entry in the Freeman Bibliography, the standard description for Darwin editions.

Additional volume:

Published posthumously:
Darwin, Life and Letters, 3 vols. (1887):

What is a “first edition”?
Any attempted numerical count of Darwin first editions swiftly encounters ambiguities. Here are a few of the questions that arise:

1. Should multi-author collaborations be included? Darwin’s first work, 3 volumes, was a collaboration between Darwin and 5 other scientists. We are counting it as #1 above because, in our determination, Darwin’s contributions of specimens and his role as superintending author were primary and not to be underestimated. Yet by this criterion one might exclude Krause’s biography of Erasmus Darwin.

2. Should posthumous works be included? Darwin’s Autobiography was not published during his lifetime, but first published along with his letters – the total is 23 if you count that, or 25 if you count all 3 volumes of the Life and Letters that includes the Autobiography. To have it both ways, we have chosen to place these 3 volumes on display in the Darwin@the Libraries exhibit, although we are not counting them among the 22 volumes published by Darwin himself.

3. Does “first edition” imply “first edition in book form”? When we offer 22 as the numerical count, we’re not including Darwin’s more than 200 articles, chapters and short essays. Yet the line between articles and printed volumes often blurs. For example, one book-length work was first published as an article in a journal (not on display) and then reprinted as a book (on display, #14 above). Which one is the “first edition”? Or should we include Darwin’s “preliminary notice” to Krause’s biography of Erasmus Darwin, since Darwin’s contribution makes up the majority of the published book?

4. Should one count titles or volumes? The list above includes 18 titles in 22 volumes. Yet the Zoology (#1 above) was issued over six years in 19 numbered parts. In this respect, it was more like a journal than a book. Afterward, the printer gave instructions for binding the 19 parts in either 3 or 5 volumes. The OU copy is bound in 3 volumes, but the count would be increased by 2 if we happened to hold a copy of the very same pages bound in 5 volumes.

So the idea of counting Darwin first editions is not as straightforward as it sounds. Does your count equal ours?

Regardless of how you count them, come see them all in the Darwin@the Library exhibit.

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Works of Charles Darwin: Breadth and Beauty

Originally posted at ouhos.org, the now-discontinued blog of the OU History of Science Collections. Neither this post nor any of its content should be taken as an official communication of the University of Oklahoma.


Darwin@the Library info | Exhibit brochure (pdf)

Charles Darwin, Zoology of the Voyage of HMS Beagle

While nearly everyone has heard of Charles Darwin’s Origin of Species, not everyone is aware of the beauty and breadth of Darwin’s works. In his own lifetime, Darwin was known as a voyager, geologist, species theorist and botanist.

Darwin’s reputation as a scientist rested upon his observational skills and his theoretical vision. Yet no scientist works in isolation, and Darwin spent much of his time writing. Darwin engaged in lengthy correspondence with scientists around the world, requesting and receiving observations from others, and presenting his ideas in letters before advancing them more definitively in print. Darwin’s prodigious correspondence contributed greatly to his productivity as an author.

Darwin's study, from Voyage of HMS Beagle (1890)
Darwin’s study

Darwin was a tireless writer who penned an estimated 15,000 letters, authored more than 200 articles and published 22 printed volumes (not including his posthumously-published Autobiography). Most of the printed volumes went through multiple editions and translations.

Few persons ever experience the opportunity to view first editions of Darwin’s printed volumes together at once. As you do so in this Darwin@the Library exhibit, we invite you to gain a renewed sense of the beauty of nature, the beauty of old books, and the breadth of Darwin’s contributions to natural science.

Darwin wrote about a staggering number of topics in a wide variety of fields, drawing them together in a comprehensive vision of remarkable depth and originality. His books are beautiful examples of 19th-century natural science.

Click the YouTube link below to watch a brief video about the OU Libraries History of Science Collections Darwin holdings:

Darwin mov

Darwin@the Library info | Exhibit brochure (pdf)

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Darwin exhibitions

Originally posted at ouhos.org, the now-discontinued blog of the OU History of Science Collections. Neither this post nor any of its content should be taken as an official communication of the University of Oklahoma.


Darwin@theLibrary, a new exhibit in the lobby of the History of Science Collections, opens today in recognition of the Evolution Conference at OU (beginning June 17th).

Darwin2009-logo.jpgA complete set of first editions of printed books by Charles Darwin were displayed for public viewing throughout the fall of 2009 in Darwin@the Museum, a joint exhibition with the Sam Noble Oklahoma Museum of Natural History. With this Darwin@the Library special exhibition, we are pleased to again make the Darwin holdings available to the public.

To view all of Darwin’s printed volumes in their first editions yields an unforgettable impression of the breadth and beauty of Darwin’s work.

Charles Darwin, Zoology of the Voyage of HMS BeagleBlog posts related to this exhibit:

  1. Darwin@the Library: Exhibit announcement (this post).
  2. Works of Charles Darwin: Breadth and Beauty
  3. Darwin First Editions
    • Includes: What is a “first edition”?
  4. The OU Darwin collection
  5. H.M.S. Beagle
  6. Charles Darwin, Zoology of the Voyage of H.M.S. Beagle (1838-1843)
  7. Charles Darwin, Journal of Researches (1839), and Voyage of the Beagle (1890)
  8. Charles Darwin: Geologist (1842, 1844, 1846)
  9. Darwin and Barnacles (1851, 1854)
  10. Darwin, Origin of Species (1859)
  11. Darwin on Orchids (1862)
  12. Darwin, Variation of Animals and Plants under Domestication (1868)
  13. Darwin, Descent of Man (1871)
  14. Darwin, Expression of the Emotions (1872)
  15. Charles Darwin, Botanist
  16. Charles Darwin, Soil Ecologist (1881)

Download an exhibit brochure (pdf, 68 MB).

No appointment is necessary; the exhibit will be available for viewing through June and July 2011. The exhibit is open during the regular hours of the History of Science Collections, which is located on the 5th floor of Bizzell Library. For accommodations on the basis of disability, call 405/325-2741.

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Traveling Mandolin

Shortly before 11 a.m. yesterday morning, Rachel and I were delighted to spot our dear friend Lisa among the small throng disembarking from a Greyhound at the Oklahoma City station. After hugs and welcoming cries all around, Lisa stated that although she had only snatched a few hours of sleep on the bus, she felt up to exploring the City. So we walked around Bricktown, viewed the Land Run sculptures on the river, and spent the afternoon in the art galleries of the Western Heritage Museum, before heading home for the evening, joined by others, to listen to her stories around the dinner table.

Lisa has spent the last 2 months visiting Wyoming, Colorado, Utah, New Mexico, Arizona, Texas and now Oklahoma, all on $10 a day. Even more amazing than the fantastic places she has visited are the interesting people she has encountered. Read her stories for yourself at her Traveling Mandolin blog.

Welcome to Oklahoma, Lisa!

Lisa and Rachel, with Pearl the Bison

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Accordance for iOS

Accordance podcastsLooking for a Bible study app that’s more than just a Bible reader?

I’ve been using Accordance for iOS for quite a while, and love the convenience of taking my own personalized, annotated study Bible, along with a supporting library, with me wherever I go. Right from your iPhone or iPad, with Accordance for iOS you can buy and download a handful of your favorite study Bibles – the ESV Study Bible (video), NIV Study Bible, Life Application Study Bible (video), the Archaeological Study Bible (video), and the NET Bible and its textual notes (video), for example – and switch between them and your own notes, displayed in parallel with the biblical translation of your choice. (Video links are to episodes of the Lighting the Lamp podcast that discuss the features of each study Bible.)

If you have an iPad, iPhone or iPod touch, download Accordance for iOS free from the App Store. Getting the basic Accordance app at no charge is a no brainer. The basic iOS Accordance app features the English Standard Version (ESV), courtesy of Crossway Bibles. You can add virtually any translation in any language and as many reference tools as you wish. Additional modules are available after registering at the Accordance website (many free, such as Nave’s Topical Bible and Matthew Henry’s commentary; cf. list of free modules).

Accordance is far more than a simple Bible e-reader. A great way to get a feel for what Accordance can do on iOS is to watch Lighting the Lamp podcast episode #56, “Accordance for iOS,” available online or at Lighting (highly recommended).

Accordance offers (1) tagged texts, (2) powerful searching, (3) synching of user notes, and (4) integration of your library modules:

1. Tagged texts: The free ESV text is tagged with Strong’s numbers to link the English words to the underlying Greek and Hebrew. Many other tagged texts are available in English, Hebrew, Greek, Latin, and other languages. Tags contain information that appears in “instant detail” boxes, as shown below (press and hold a word and its instant details will appear):

Accordance for iOS

Watch this video: Advantages of Tagged Texts.

2. Powerful searching: Accordance for iOS supports many of the powerful search capabilities found in Accordance for Mac, which means that you can perform searches on your iPhone or iPad that surpass the capabilities of most Bible programs for desktops (using the following operators: or, and, not, within, preceded by, followed by, count, fuzzy, and more). For example, it’s a cinch to search a book or chapter or entire Biblical text for all the hapax legomena (words that occur only once; set the range of text to be searched and then the “Count” parameter to “1”). And searching a tagged text is even more powerful: one could find, for example, all hapax legomena used as verbs.

Hapax legomena

The Lighting the Lamp podcast episode #57 explains basic searching on iOS (highly recommended; access at Lighting or online).

3. User notes synch: While powerful searching is Accordance’s most renowned feature, to me user notes synch is more important for iOS devices on a practical, day-by-day basis. My favorite feature of Accordance for iOS in daily use is the easy synching, between my Mac and iOS devices, of notes I make on particular verses. User notes merge regardless of the device on which I have entered the notes: Notes for particular verses that were added on my iOS device will be transferred to the same notes file on my Mac, and notes for other verses added while using my Mac will be added to the same notes file on my iOS device. I can even synch multiple User Notes files (I prefer to keep distinct User Notes files for devotional notes, academic notes, more in-depth studies, and quotes from various writers). User notes files automatically sync even if I’ve made changes on both the Mac and the iOS device, so long as the changes were not made to the same verse, in which case I’ll be asked to choose which note to keep on a verse-by-verse basis. Very nice – I wish I could just press some magic button and have all the “user notes” in the margins of my various physical Bibles suddenly merge together so that I could have them with me wherever I go!

IPhone Acc notes

Note: In the screenshot above, the red dot signals the presence of a User Note for that verse. By clicking the “+” button on the lower button bar, you can open a parallel pane to display user notes. To create or edit a user note, click and hold down on the verse reference in the top text pane.

The Lighting the Lamp podcast episode #55 explains Accordance synching (highly recommended; access at Lighting or online).

4. Integration of library modules: You don’t need Accordance for Mac to use Accordance for iOS. Yet if you like Accordance for iOS, it will only become more powerful and versatile if you also use Accordance on the Mac and build up a library of resources or modules. I pack a couple gigabytes of my Accordance library along with me on my iPhone, but Accordance is not merely an e-reader for various modules, whether they’re texts, sources, or reference tools. Rather, because you can search all your modules easily from the biblical text, and display them in parallel, Accordance for Mac integrates your modules into an intertextual study environment centered around the biblical text. On iOS this extensive degree of integration is not fully feasible, of course, but you can set a given biblical text in parallel with another text, translation, reference source, or user notes file. Texts set in parallel scroll together – just slide the divider to vary the size of the panes. The text in either pane can be switched in and out with others at will.

Accordance iOS

Questions? Check out the Accordance for iOS help.

I’ve written about Accordance for Mac on this blog before, as it’s one of the handful of computer programs I enjoy most. See my previous Accordance posts, especially this general guide for getting started with Accordance for OS X. In brief, perhaps the best way to get started with Accordance is to follow the delightful Lighting the Lamp podcast produced by Timothy Jenney Lighting and the always practical Accordance blog by David Lang.

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Update: Check out more Accordance iOS videos at youTube, including:

  • Amplify: how to use the amplify feature to perform word studies.
  • Reading View: how to quickly scan through your Accordance iOS search results and then switch to a reading view once you find a verse you would like to read in context.
  • Bible Study with iOS 1.6: flex search, auto words/verses switching, bookmarks, Remember My Place, and syncing User Content between iDevices.
Posted in Apple, Theology | Tagged | 4 Comments

Harp box

Last year at WorldFest, inspired by Dearbhail Finnegan, Susanna told us of her dream to play the Celtic harp. A few months later she took a big step toward that goal by acquiring the beautiful little harp shown below:

Susanna playing her Celtic harp

The 38-inch, 29-string “Minstrel harp” from the good folks at Cedar Creek Dulcimers is made of redwood and birch, with sharping levers, ornate side-carving and a Celtic design. It is small enough to tote to a jam, but not quite tall enough to play while seated in a typical chair. At first, therefore, Susanna propped it up with an ugly old plastic crate, but I promised her I would make her a wooden box to support it in style.

In the photo above, the harp is shown with the new wooden harp box. Fortunately for Susanna, I changed my mind about trying to make it myself! Hearing Michael Barfield describe a treasure box made for him at a very reasonable price by master craftsman Rollie Montgomery changed my mind. (See Michael’s account of the treasure box for his Photographs painting project on his blog, Nap Dreams.) So I checked out Rollie’s website, The Little Box Shop, and contacted him to try to explain what we were looking for. This is what he came up with:

The Harp Box, by Rollie Montgomery

The reddish-brown lyptus wood and the light-colored maple of Rollie’s box match the hues of the harp. The box has a very solid feel; there is no risk of it toppling over or twisting out from under the harp.

Harp box, door open

The door, held fast by a strong magnet, opens smoothly to reveal several compartments: a vertical space for music sheets on the left, an open area above right, and two drawers. The door closes with a whooshing sound that announces an absolutely solid, airtight construction.

Harp box, detail

The lower drawer holds spare strings and miscellaneous supplies. A mousepad on the top cushions the harp, and can be stowed inside when not in use. The upper drawer holds the tuner. The solidly made drawers slide in and out with utter ease, each fitting its compartment like a hand in a glove.

Every surface of the box reveals the fine quality of craftsmanship. There is something very special about objects carefully constructed from wood. I am reminded that Jesus made more boxes and tables than he gave sermons.

“For a carpenter’s shop was the delight of my boyhood; and after I began to read the history of our Lord with something of that sense of reality with which we read other histories… my feeling about such a workshop grew stronger and stronger, till at last I never could go near enough to see the shavings lying on the floor of one, without a spiritual sensation such as I have in entering an old church…”
George MacDonald, Annals of a Quiet Neighborhood

Life is filled with hidden art. Rollie’s carpentry is no less a work of art than Michael’s painting, the Celtic harp itself, or the music that Susanna will create with it through the decades ahead.

For a few more photos see this Gallery. When you need a well-crafted box, contact Rollie Montgomery, The Little Box Shop. If you want a painting, browse Michael’s Visual Feast blog. If looking for a dulcimer or Celtic harp, check out Cedar Creek Dulcimers.

Rollie, Susanna is thrilled with her new harp box. It is an inseparable companion for the Minstrel harp. Thanks!

Rollie Montgomery, The Little Box Shop

Posted in Art-Music-Lit, Family | 2 Comments

Happy Mother’s Day!

From my sister Laura:

Happy Mother’s Day!

As we heard this morning in church… this day celebrates all women. And I celebrate each of you always!

Here is a link to that video that I made a few years ago for Mom’s birthday. If you have time, sit back and watch it for 20 minutes. It is a beautiful reminder of the legacy of strong and magnificent women we come from – and a joyous encouragement to see the indelible mark of those women in our lives today. We are connected – in powerful ways. Thanks for being a part of that ongoing legacy!

Laura

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Reading George MacDonald: Bookmarks

George MacDonald bookmarks

“But if you believe that the Son of God died and rose again, your whole future is full of the dawn of an eternal morning, coming up beyond the hills of this life, and full of such hope as the highest imagination for the poet has not a glimmer of yet.” (George MacDonald)

Last week Candace discovered this quotation in an Easter devotional (Our Daily Bread for April 25, 2011, written by David H. Roper). Although Our Daily Bread does not include a citation, after a little digging around, I found that it comes from a sermon of MacDonald’s, “Faith, the Proof of the Unseen,” published in Proving the Unseen, ed. William J. Petersen (Keats, 1989), p. 9.

Over two years ago I began a five-year quest to read through the works of George MacDonald (see previous posts: Listening Long and MacDonald Introductions). Most of his works (with the conspicuous exception of Proving the Unseen) are available in handsome, unabridged, facsimile volumes published and hand-bound by the Johannesen Press in Whitethorn, California (image below).

To read these volumes, we need bookmarks! Click the image above to download a page of bookmarks to print on cardstock and cut out for yourself. I keep handy a sizable number so that I have one for every book I’m reading.

The “dawn of an eternal morning” quotation immediately struck me as what I was looking for to use on MacDonald bookmarks. It reflects MacDonald’s emphasis on the imagination. It expresses the vision of hope that permeates MacDonald’s writings. The quotation is a fitting epitome of the heart of George MacDonald himself. (Compare it with a similar quotation I used here.)

This quotation also nicely complements MacDonald’s bookplate, which illustrates the hope of an old man with a walking stick, hunched over, going into a tomb. Malcolm Guite points out that the depiction is a visual tribute to a painting by William Blake to accompany the poem “Jerusalem,” in which the figure, Los, is given a light as he enters the dark doorway of the tomb.

Across the doorway, MacDonald inserted the anagram he created from his name:

“Corage, God mend al.”

Above the tomb, in the resurrection, MacDonald emerges as a new creation, his hope realized. Our hope is near, even in the darkest times.

The image of MacDonald’s bookplate used on the bookmarks is courtesy Pratt Libraries, from their remarkable bookplate collection. Inspect a larger version here. For more information about MacDonald’s bookplate, including his inspiration from a design by William Blake, see Rolland Hein, George MacDonald: Victorian Mythmaker, pp. 119-20.

Johannesen Press, hand-bound facsimile editions of George MacDonald

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Rustic Tulsa get-away

Faced with ill weather and an unexpectedly constrained schedule, at nearly the last moment we canceled our planned mini-vacation with the Manns at WorldFest this year. Instead, with the opportunity for just an overnight itinerary, Candace and I made a get-away retreat of just the two of us. We considered several fascinating places in Oklahoma that we haven’t yet seen, before settling upon Cedar Rock Inn in Tulsa, owned by Randy and Sandi Dittmann. This historic home was built in 1890 by Tecumseh Perryman, a member of the Lockapoka Creek nation. Tulsa and Cedar Rock Inn were a great choice and made up for what we had missed.

Cedar Rock Inn, Tulsa

Our aim was to enjoy some simple, light-hearted time together and to reflect upon the struggles, blessings and dreams of recent years. On Sunday we enjoyed the western art of the justly renowned Gilcrease Museum:

Gilcrease Museum, Tulsa, OK

And on Monday we took our time going through the Will Rogers Museum and toured his nearby ranch on the Verdigris River:

Will Rogers Museum, Claremore, OK

Will Rogers home

This text from Celtic Daily Prayer served us well as a meditation that gave words to our hearts:

I cannot speak,
unless you loose my tongue;
I only stammer,
and I speak uncertainly;
but if you touch my mouth,
my Lord,
then I will sing the story
of your wonders!

Teach me to hear that story
through each person,
to cradle a sense of wonder
in their life,
to honor the hard-earned wisdom
of their sufferings,
to waken their joy
that the King of all kings
stoops down
to wash their feet,
and looking up
into their face
says,
‘I know – I understand.’

This world has become
a world of broken dreams
where dreamers are hard to find
and friends are few.

Lord, be the gatherer of our dreams.
You set the countless stars in place,
and found room for each of them to shine.
You listen for us in Your heaven-bright hall.
Open our mouths to tell our tales of wonder.

Excerpted from “Caedmon – In Declaration of a Dream,” in Celtic Daily Prayer, pp. 198-199.

What a delight to read the Celtic Daily Prayer book’s entire meditation on Caedmon’s song, in a rustic setting on 45 acres of wooded land in west Tulsa. The very setting of Cedar Rock Inn is like a retreat center with its beautifully tended grounds, a short hiking trail up a nearby ridge, and small touches of hidden art and careful restoration work wherever the eye might look.

Cedar Rock Inn

The lower level, where we stayed, was part of the Inn’s original structure.

Entrance to lower level, Cedar Rock Inn

A living room features a fireplace and western-style furniture. Eye-catching paintings throughout the house add life in vibrant color. The artist is none other than Sandi Dittmann, which illustrates the careful consideration to hidden art manifest in every detail.

Cedar Rock Inn, living room on lower level

There’s even an octagonal library! (I wish I had a better picture of it.) And the staircase is made of the same native sandstone as most of the lower level.

Cedar Rock Inn, staircase

We stayed in the Cedar Room, which sports an atmosphere and personality that matches the rest of the lower level.

Cedar Rock Inn, Cedar Room

The staff were friendly and the cook accommodated our special diets with ease.

We’ll look forward to our next visit at the Cedar Rock Inn!

See more photos in the Gallery.

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The Chymical Wedding

Originally posted at ouhos.org, the now-discontinued blog of the OU History of Science Collections. Neither this post nor any of its content should be taken as an official communication of the University of Oklahoma.


We are delighted to add a rare work to the History of Science Collections in tribute to the OU Department of Chemistry and Biochemistry and the School of Chemical, Biological and Materials Engineering on the occasion of the International Year of Chemistry.

The Chymical Wedding of Christian Rosencreutz, an alchemical parable published anonymously in 1616, was one of three publications of the so-called “Rosicrucian brotherhood.” This little book, later discovered to be the work of Lutheran theologian and chymist Johann Valentin Andreae, was one of the most notable publications related to chemistry and to the reform of science in the first half of the 17th century. The sensation that these Rosicrucian publications generated, both positive and negative, “shook Europe for half a century” (see below).

This work is currently on display as part of the Chemistry exhibit.

Chymische Hochzeit (1616), title page.

WorldCat records 8 copies of this issue, and 16 copies of the other three issues of the volume. Here is the collation of the OU copy:

[Andreae, Johann Valentin] Chymische Hochzeit: Christiani Rosencreutz. Anno 1459. Arcana publicata vilescunt: & gratiam prophanata amittunt. Ergo: ne Margaritas obvce porcis, seu Asino substernerosas. Strassburg/ In Verlagerung/ Lazari Zetzners S. Erben. Anno m. dc. xvi. Octavo. 143 pages; A8-I8. Leaf I8 recto with colophon: Strassburg/ Bey Conrad Scher/ Im Jahr/ m. dc. xvi.

Chymische Hochzeit (1616), with Monas Hieroglyphica

The parable recounted in the Chymische Hochzeit involves an elderly man named Christian Rosencreutz, who unexpectedly finds himself invited to a royal wedding. The invitation, which displays the Monas hieroglyphica of John Dee (above), is delivered to him by an angel who blasts loudly on a trumpet. After an arduous journey on foot, Rosencreutz barely reaches the castle in time to be admitted. Readers won’t forget the almost heart-breaking humility and modesty with which he conducts himself through the trials that he and the other guests must endure on each of the story’s seven days, leading finally to the accomplishment of the alchemical Great Work. Rosencreutz almost cannot believe that he has been deemed worthy to attend such an event, and before each trial believes himself unable to overcome it; indeed, most of the guests prove unworthy, and are expelled after the trials of the first two days. This vividly-told story is rich in details and wonders, such as the enigmatical play that the guests watch with the king and queen on the fourth day, and Rosencreutz’s illicit visit to the beautiful underground crypt of Venus on the morning of the fifth day. The journey to an island on a fleet of seven ships later during the fifth day lends the story an epic feel; and it is on this island that the few remaining guests gradually ascend through each floor of a tower while accomplishing the sequential stages of an alchemical operation on the sixth day.

Chymische Hochzeit (1616)

The text is an exemplary alchemical parable and the principal Rosicrucian myth. It also has significance within the corpus of Andreae’s religio-philosophical, utopian, and Rosicrucian writings, in addition to being an interesting example of early-modern German fiction. The authorship of this anonymously published text remained unknown until the autobiography of the Protestant theologian Johann Valentin Andreae (1586-1654) was finally printed in the eighteenth century, in which Andreae confesses to have written the Chymische Hochzeit when he was around fifteen years of age (i.e. 1601-1602).

Arthur Edward Waite, one of the first to attempt an impartial study of the history of the Rosicrucian movement, believed the entire Rosicrucian controversy to center on this publication. Appearing just two years after the earliest-known publication of the Fama fraternitatis, and one year after the Confessio fraternitatis, the Chymische Hochzeit was assumed to represent the third of the so-called Rosicrucian Manifestos. As three anonymously-published works appeared in three consecutive years, it seemed to many contemporary readers to announce a serious movement. An emphasis on spiritual and scientific reform is a common thread that runs throughout these three otherwise very different documents. The sensation that these Rosicrucian publications generated, both positive and negative, shook Europe for half a century.

Chymische Hochzeit (1616)

To the modern historian, the disturbance associated with the “Rosicrucian furor” seems consistent with the religious and social unrest that gripped Europe at that time, including the Thirty-Years War and the Galenist-Chymical-Paracelsian debates in medicine and science. Perhaps no other subject directly involves the histories of science, medicine, religion, and politics as does that of the Rosicrucian movement.

The Chymische Hochzeit: Christiani Rosencreütz was probably printed four times in 1616, the different versions being distinguishable by the text of the title page and colophon, and/or the number of pages. The versions that are usually regarded as the first and second editions (though they may simply be different impressions or states) differ in the details of their title page and colophon, but both have 146 pages of text. The present exemplar is generally thought to represent the third edition, differing in title page, colophon and the number of pages (143) from the two previously mentioned. A fourth issue, also of 146 pages, has a colophon that reads “First printed by Lazarus Zetzner in 1616,” thus introducing uncertainty as to its true date of publication. It is curious that the book was issued three times with 146 pages, but only once with 143. Each of these separate issues is very rare, as is the English edition of 1690.

Chymische Hochzeit (1616)

We thank historian of chemistry John Norris for assistance with this description.

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Candace update: 1 year

It’s been a little over a year since I was diagnosed with breast cancer and began treatment (see December update).

I recently had an MRI and CT scan to see if anything new has cropped up, and praise God, everything looked good. My oncologist will continue to monitor periodically. I started chemo a year ago this week and I’m so thankful to be on this side of it! I still deal with minor side effects, possibly from the anti-cancer drug that I’ll be taking for another 4 1/2 years, so I’ve been redefining “normal.”

Borders Celtic jam
Candace (right) at a Borders Celtic jam

As my daughters and I prepared to sing the hymn, “Praise to the Lord, the Almighty” at Marty and Kelly Skrapka’s recent wedding, we discovered a lesser-known verse that sums up my praise:

“Praise to the Lord, who with marvelous wisdom hath made thee,
Decked thee with health and with loving hand guided and stayed thee.
How often in grief hath not He brought thee relief,
Spreading His wings to o’ershade thee!”

Grace and peace,
Candace

Rose window

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